Maariyah Qureshi 01/05/2025 Maariyah Qureshi 01/05/2025

What does a 17th century play have to say about 1995 Kashmir?

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

From Sati Survivor to Bharat Mata: Superslave or Superhuman?

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

Nautch The Whites Away: To what extent did colonial rule transform gender relations in the lives of women?

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

Between Cultures: Identity in British-Asian Diasporas in East is East and Bend It Like Beckham

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

Wild and Free? Post-Feminism and the Limits of Liberation in Mustang (2015)

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

Flawless Feminism? Beyoncé, Capitalism, and the Politics of Female Representation

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

The Man, the Myth, the Larger than Life: Effects on a Nation Desperately Seeking Shah Rukh

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Maariyah Qureshi 07/03/2025 Maariyah Qureshi 07/03/2025

Spivak’s ‘Subaltern’ in A Passage to India (1984)

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Maariyah Qureshi 22/04/2024 Maariyah Qureshi 22/04/2024

“If there’s one thing I hate, it’s people who cross the line”: Technologies of cyborg/human relations in Parasite (2019)

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Maariyah Qureshi 01/02/2024 Maariyah Qureshi 01/02/2024

Sound of a Nation? Coke Studio Pakistan and its Challenges

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