ABOUT ME

My name is Maariyah, I’m a British-Pakistani from London.

I hold a BA in Liberal Arts with a Film major and English minor, and I recently completed my Masters in South Asian Studies. My academic writing is usually concerned with these subject areas, particularly Bollywood cinema.

Marketing Officer & MA Student

I’ve put this site together to share my professional and academic work from the last few years, so have a read and let me know what you think!

MY WORK

Professional Skills

I work across design, video, and written formats to create clear, engaging content that connects with people. My experience includes website design, social media management, and brand development — from refreshing visual identities to crafting newsletters and digital campaigns.

I’m confident using tools like Google Analytics, Microsoft Office, WordPress, SquareSpace, Final Cut Pro, Adobe Creative Cloud (incl. Premiere Pro and Photoshop), Canva, CapCut, and HubSpot.

My approach is adaptable and grounded in creativity — always aiming to balance strategy, accessibility, and tone.

Academic Repertoire

I’ve written papers on contemporary global novels, South Asian leftist literature, East Asian popular cinema, contemporary European films, anti-capitalist and anti-colonial doctrine, film and religion, Bollywood cinema, classical and biblical contexts in literature and even Beyoncé.

I’ve also produced literary reviews, close analyses, video essays, blog posts, podcasts and group presentations throughout my university career.

My undergraduate dissertation investigated how India’s globalisation shaped the politics of Karan Johar films.

Read my work

Read my work

MY WORK

GET TO KNOW ME

Favourite Non-Bollywood Films


1. East is East (dir. Damien O’Donnell, 1999)


2. Mustang (dir. Deniz Gamze Ergüven, 2015)


3. Some Like It Hot (dir. Billy Wilder, 1959)


4. Parasite (dir. Bong Joon-Ho, 2019)


5. West Side Story (dir. Jerome Robbins & Robert Wise, 1961)


Favourite Bollywood Films


1. Omkara (dir. Vishal Bhardwaj, 2006)


2. Kal Ho Naa Ho (dir. Nikhil Advani, 2003)


3. Pyaasa (dir. Guru Dutt, 1957)


4. Rocky Aur Rani Ki Prem Kahani (dir. Karan Johar, 2023)


5. Pakeezah (dir. Kamal Amrohi, 1972)


“The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom.”

Gayatri Chakravorty Spivak • Scholar, literary theorist and feminist critic